{"id":183,"date":"2020-07-09T16:38:35","date_gmt":"2020-07-09T14:38:35","guid":{"rendered":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/?post_type=portfolio&#038;p=183"},"modified":"2021-01-11T17:54:24","modified_gmt":"2021-01-11T16:54:24","slug":"sensitives","status":"publish","type":"portfolio","link":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/spectacles\/sensitives\/","title":{"rendered":"SENSITIVES"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row unlock_row_content=\u00a0\u00bbyes\u00a0\u00bb row_height_percent=\u00a0\u00bb50&Prime; override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb0&Prime; top_padding=\u00a0\u00bb0&Prime; bottom_padding=\u00a0\u00bb0&Prime; overlay_alpha=\u00a0\u00bb50&Prime; equal_height=\u00a0\u00bbyes\u00a0\u00bb gutter_size=\u00a0\u00bb2&Prime; column_width_percent=\u00a0\u00bb100&Prime; shift_y=\u00a0\u00bb0&Prime; z_index=\u00a0\u00bb0&Prime; inverted_device_order=\u00a0\u00bbyes\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb100&Prime; gutter_size=\u00a0\u00bb3&Prime; override_padding=\u00a0\u00bbyes\u00a0\u00bb column_padding=\u00a0\u00bb2&Prime; overlay_alpha=\u00a0\u00bb50&Prime; shift_x=\u00a0\u00bb0&Prime; shift_y=\u00a0\u00bb0&Prime; shift_y_down=\u00a0\u00bb0&Prime; z_index=\u00a0\u00bb0&Prime; medium_width=\u00a0\u00bb0&Prime; mobile_width=\u00a0\u00bb0&Prime; width=\u00a0\u00bb1\/2&Prime;][vc_column_text el_class=\u00a0\u00bbjusti\u00a0\u00bb]Les sensitives sont des plantes sensibles au toucher. Il s&rsquo;agit de l&rsquo;un des mouvements les plus spectaculaires du re\u0300gne ve\u0301ge\u0301tal. Originaire de la Re\u0301union et des Antilles franc\u0327aises, elles sont surnomme\u0301es Mimosa Pudica, Marie-Honte, Honteuse femelle ou encore Trompe la mort. Des femmes se de\u0301voilent et nous racontent leurs histoires. L&rsquo;effeuillage devient le pre\u0301texte d&rsquo;une mise a\u0300 nue plus profonde, celle du c\u0153ur. Chaque personnage incarne un imaginaire spe\u0301cifique et entretient un rapport particulier avec son corps. Une amplitude qui part de la solitude d&rsquo;une femme face a\u0300 elle-me\u0302me a\u0300 une utilisation du corps comme vitrine. Sensitives nous donne a\u0300 voir les femmes en sublimant leur quotidien. Se de\u0301voiler sans jamais s\u2019imposer&#8230;[\/vc_column_text][vc_separator sep_color=\u00a0\u00bbcolor-uydo\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbjusti\u00a0\u00bb]<\/p>\n<h4>FINALISTE DU PRIX PARIS JEUNE TALENT 2012<\/h4>\n<p>CR\u00c9ATION CONTEMPORAINE INSPIR\u00c9\u00c9 DES CHANSONS DE BILITIS DE PIERRE LOU\u0178S<\/p>\n<p><strong>Texte et mise en sce\u0300ne\u00a0<\/strong> Nae\u0301ma Boudoumi<br \/>\n<strong>Mouvement chor\u00e9graphique<\/strong> Prune Petitdidier<br \/>\n<strong>Sce\u0301nographie<\/strong> Camille Ansquer<br \/>\n<strong>Cre\u0301ation lumie\u0300re<\/strong> Laetitia Favret<br \/>\n<strong>Cr\u00e9ation costumes<\/strong> Sarah Topalian<br \/>\n<strong>Dessins<\/strong> Nicolas Ne\u0301miri<br \/>\n<strong>Avec<\/strong> Nae\u0301ma Boudoumi, Camille Hugues, Ugo Gonzales, Flora Kaprielian, Elsa Foucaud, Chloe\u0301 Renaud[\/vc_column_text][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100&Prime; gutter_size=\u00a0\u00bb3&Prime; override_padding=\u00a0\u00bbyes\u00a0\u00bb column_padding=\u00a0\u00bb0&Prime; back_color=\u00a0\u00bbcolor-gyho\u00a0\u00bb overlay_alpha=\u00a0\u00bb50&Prime; shift_x=\u00a0\u00bb0&Prime; shift_y=\u00a0\u00bb0&Prime; shift_y_down=\u00a0\u00bb0&Prime; z_index=\u00a0\u00bb0&Prime; medium_width=\u00a0\u00bb0&Prime; mobile_width=\u00a0\u00bb0&Prime; width=\u00a0\u00bb1\/2&Prime;][vc_tabs el_class=\u00a0\u00bbborde\u00a0\u00bb][vc_tab title=\u00a0\u00bbDATES\u00a0\u00bb tab_id=\u00a0\u00bb1593694331-1-331605173493760&Prime;][vc_column_text][\/vc_column_text][\/vc_tab][vc_tab gutter_size=\u00a0\u00bb2&Prime; column_padding=\u00a0\u00bb2&Prime; tab_id=\u00a0\u00bb1593694331-2-871605173493760&Prime;][\/vc_tab][\/vc_tabs][vc_gallery el_id=\u00a0\u00bbgallery-176468&Prime; type=\u00a0\u00bbcarousel\u00a0\u00bb random=\u00a0\u00bbyes\u00a0\u00bb medias=\u00a0\u00bb513,514,512&Prime; carousel_lg=\u00a0\u00bb3&Prime; carousel_md=\u00a0\u00bb2&Prime; carousel_sm=\u00a0\u00bb1&Prime; thumb_size=\u00a0\u00bbfour-three\u00a0\u00bb gutter_size=\u00a0\u00bb0&Prime; carousel_interval=\u00a0\u00bb3000&Prime; carousel_navspeed=\u00a0\u00bb400&Prime; carousel_loop=\u00a0\u00bbyes\u00a0\u00bb carousel_nav=\u00a0\u00bbyes\u00a0\u00bb stage_padding=\u00a0\u00bb0&Prime; single_back_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb single_overlay_opacity=\u00a0\u00bb37&Prime; single_padding=\u00a0\u00bb0&Prime;][vc_separator sep_color=\u00a0\u00bbcolor-lxmt\u00a0\u00bb el_height=\u00a0\u00bb5px\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbjusti\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1601136425649{padding-right: 10px !important;padding-left: 10px !important;}\u00a0\u00bb]Production : Cie Ginko<br \/>\nAvec le soutien de Regards et Mouvements, Mains d&rsquo;\u0152uvres, la Mairie de Paris, Paris Jeune Talent, Confluences et Kiss kiss Bank bank. Les actions culturelles autour du projet ont \u00e9t\u00e9 soutenues par: Le SPIP 78, ARCADI, la DRAC Ile-de-France, la Mairie de Saint-Ouen. Sensitives a \u00e9t\u00e9 en re\u0301sidence d&rsquo;accueil-cre\u0301ation a\u0300 Mains d\u2019\u0152uvres de Mai 2011 \u00e0 Mai 2013 pour sa cr\u00e9ation et diffusion[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row unlock_row_content=\u00a0\u00bbyes\u00a0\u00bb row_height_percent=\u00a0\u00bb50&Prime; override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb0&Prime; top_padding=\u00a0\u00bb0&Prime; bottom_padding=\u00a0\u00bb0&Prime; overlay_alpha=\u00a0\u00bb50&Prime; equal_height=\u00a0\u00bbyes\u00a0\u00bb gutter_size=\u00a0\u00bb2&Prime; column_width_percent=\u00a0\u00bb100&Prime; shift_y=\u00a0\u00bb0&Prime; z_index=\u00a0\u00bb0&Prime; inverted_device_order=\u00a0\u00bbyes\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb100&Prime; gutter_size=\u00a0\u00bb3&Prime; override_padding=\u00a0\u00bbyes\u00a0\u00bb column_padding=\u00a0\u00bb2&Prime; overlay_alpha=\u00a0\u00bb50&Prime; shift_x=\u00a0\u00bb0&Prime; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":512,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[],"class_list":["post-183","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/portfolio\/183","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/comments?post=183"}],"version-history":[{"count":28,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/portfolio\/183\/revisions"}],"predecessor-version":[{"id":597,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/portfolio\/183\/revisions\/597"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/media\/512"}],"wp:attachment":[{"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/media?parent=183"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/bureaudesfilles.com\/naema-boudoumi-cie-ginko\/wp-json\/wp\/v2\/portfolio_category?post=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}